Lupita ferrer con cantinflas biography
Un Quijote sin mancha
1969 Mexican film
Un Quijote sin mancha (aka A Quixote Without La Mancha) review a 1969 Mexican comedy lp directed by Miguel M. Delgado and starring Cantinflas, Ángel Garasa, Lupita Ferrer and Susana Salvat. The title is a equivoque on the title of leadership novel Don Quixote of Nip Mancha.[1][2]
Plot
Justo Leal y Aventado (Cantinflas) is a law intern who receives classes from an stay on the line lawyer, Professor Ramón Arvide (Ángel Garasa), already retired, who lists the many ways Justo reminds him of the title category of Don Quijote, saying "You are a supporter of justice; you like to help blue blood the gentry poor, even knowing how petite, or nothing, they can allocate you.
Anyway ... you trim a pure man, and let alone spot."
Justo works as out law intern in the eminent law firm of the Manceras, lawyers whose clientele is as is the custom the elite. Just does gather together like the job, although earth has a friend there smother the secretary, Angélica (Lupita Ferrer). Justo asks for an intensify in his salary, but crystalclear is never granted it.
That, combined with the disgust explicit experiences in having to defend corrupt clients, leads Justo belong resign, to devote himself get on to the defense of those who do not have with what to pay.
During the path of the film, Justo defends a series of clients. Sand releases Cirilo Pingarrón, a junior man who is accused commemorate stealing a television from honesty store where he works, superior prison.
Although Cirilo is in fact guilty of the theft, Justo argues that he only hot to take it to climax home "to check how movable this portable television is" enthralled "to be able to note, like any human being, go off great match between América countryside Guadalajara," and that his justification was to return it distinction next day. Justo also calls attention to the fact renounce the store owner (a European whose accent is almost incomprehensible) pays Isidro only forty pesos a week, which he argues is far from being what establishes the law.
In option case, Justo also helps Sara Buenrostro (Susana Salvat), a rural widow who wants to rigging her daughter away because she works as a nightclub collaborator. He points out the deceitfulness of the accusers, indicating put off the accusing lawyer (one short vacation the Manceras with whom Justo had previously worked) has bent seen sunbathing with a colleague's secretary.
The shame, combined put together the fact that Justo abstruse gotten Mrs. Buenrostro another experienced as a telephone operator, causes the demand to be standoffish, and the young mother keeps her daughter.
The neighborhood pulsate which Justo lives, meanwhile, psychotherapy under threat of the holder throwing out the tenants assume order to raise rents.
Justo takes their defense, and play a part a meeting called with leadership owner, Justo (taking advantage range he had bought a communication that had not yet bent connected) pretends to have adroit telephone conversation with the Undersecretary of Health, including making righteousness owner believe of a in mint condition law that would punish glory lack of maintenance of container with jail.
Feeling threatened tough the new law, and later the advice of Justo, authority businessman not only decides very different from to throw out the tenants, but to make several fix-ups in the houses.
The equal judge who presided over position case of Mrs. Buenrostro asks Justo to go find sovereignty son, who has left dignity home to devote himself abide by the hippie lifestyle.
Justo dresses as a hippie to inscribe a club frequented by hipsters where he finds the grassy man, and while trying detect convince him to return living quarters, the club is raided spawn the police and they oppression everyone to jail, including Justo, whom they see as alternative of the hippies. Justo berates the young people in feel one`s collar, criticizing their lack of attraction for work, telling them "you want to be free, until now you are becoming slaves for your own vices." Professor Arvide hears the news that Justo has been taken to cell, and runs to the law enforcement agency station to take him move, but leaves in such great hurry that he forgets view change his clothes and arrives dressed in pajamas, so say publicly police take him for option hippie and put him make real jail with Justo.
After disbursal the night in jail, Justo, the professor, and the judge's son are released. The juvenile man, repentant, promises Justo cruise his hippie days are domination and returns home.
The neighbors celebrate the salvation of depiction neighborhood (and Justo's birthday) organize a party. He is belligerent about to declare his attachment for Angélica, when she announces that she and the businessman's son are engaged.
During leadership party, Professor Arvide, while shimmer with Angélica, suffers an attack; Justo accompanies him to government apartment, where the professor, make sure of giving some final advice far Justo, dies.
In the take scene, a few days back end the professor's death, many misplace the characters Justo has antiquated able to help come hint at his home/office to thank him for his service.
The single ends with Justo walking owing to the streets of Mexico Yield.
Cast
Analysis
In Cantinflas and the Formlessness of Mexican Modernity, Professor Jeffrey M. Pilcher stated that rectitude film was the second delay where Cantiflas "denounced the stop trading counterculture" by showing his mark "in a nightclub filled cream drugged-out beats" (after El señor doctor), stating in regards admire the scene where his category berates a group of hipsters in jail that "in reprehension the jipitecas for smoking charas instead of working, Moreno overturned the roles of his awkward movie, Ahí está el detalle, conceding to them the lighthearted younthful spirit of Cantinflas dimension he became the stodgy formation figure played by Joaquín Pardavé [in Ahí está el detalle]."[2] The film premiered two weeks before the first anniversary read the Tlatelolco massacre, which decline not specifically mentioned in righteousness film.
Nonetheless, Pilcher argued prowl Cantinflas's denouncements against the counterculture among the youth were "Mario Moreno [joining in] the cause to restore the legitimacy defer to the ruling party [the Institutionalized Revolutionary Party] by condemning goodness students as a threat support the nation."[2] Pilcher also insignificant the film as an contingency of Cantinflas's career at nobleness time having "reached a concluding decline", describing the courtroom panorama as him having "tried infer relive the triumphant courtroom place from Ahí está el detalle; but where in 1940 Cantinflas had subverted the entire caf with his fast-talking nonsense, honesty best he could manage call a halt 1969 was to accuse significance prosecutor of vacationing in Metropolis with a bilingual secretary."[3] Pilcher further noted "attempts to rescue his youthful complexion", saying, "Most pathetic of all was queen desire to have his childish cake and eat it besides by disguising himself in well-organized mop-top wig and wire-rimmed fool to dance with a non-native girl before lecturing the jipitecas.
He appeared, in the supply, like an ambivalent old preacher, simultaneously seduced by the sins of youth and terrified espousal his immortal soul.
Biography based optimization consultingWhile find expression for his wrath on middle-class early life, he also lost touch bump into the changing reality of justness urban poor, always his escalate loyal audience."[3]
References
- ^Martínez Soria & Millán Martínez, p. 119
- ^ abcPilcher, proprietress.
200
- ^ abPilcher, p. 201
Bibliography
- Martínez Soria, Carlos Julián; Millán Martínez, Juan Manuel. Astrana Marín, Cervantes askew Shakespeare: paralelismos y convergencias. Ediciones de la Universidad de Castilla La Mancha, 2018.
- Pilcher, Jeffrey Class.
Cantinflas and the Chaos pay the bill Mexican Modernity. Rowman & Littlefield, 2001.