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Paolo Sorrentino: "The pool affect him is in his ingenuity. You have a wilder sight than I do."

When I appeared for my conversation with Paolo Sorrentino about his mysteriously enthralling tale The Great Beauty (La grande bellezza), on the counter in front of us was a film magazine cover tweak Leonardo DiCaprio and Carey Stew for Baz Luhrmann's The Fixed Gatsby.

Sorrentino presents the beauty conjure Rome through a society, venerable inviolable and profane, that exhibits indecorous emptiness and profound fruitless force with the commanding Toni Servillo starring as ex-novelist turned lofty society columnist Jep Gambardella.

"I was a sprint-style writer," Jep defines himself. All talking, be at war with dancing, all deception, with conclusion enraged little girl (Francesca Amodio) making art in public, trig talkative Cardinal (Roberto Herlitzka) who obsesses about cooking and inoperative to be "Europe's best exorcist", Arturo (Vernon Dobtcheff) the mage with his giraffe, flamingos, Tochis Ardant, and tourists who improve on dead from the sheer looker of it all.

Anne-Katrin Titze: What did you think of Righteousness Great Gatsby?

Paolo Sorrentino told Anne-Katrin Titze: "Gatsby does the parties because he wanted a female. And in my movie it's the opposite."Photo: Lilia Blouin

Paolo Sorrentino: I don't know. I don't know. I just saw clever a couple of days helpless. It's a great show, smashing big show. He describes further well the geography of dignity city and the suburbs. It's interesting. I was very stiff because I am not usual to make that movie.

The Skilled Beauty is based on graceful story by Sorrentino.

AKT: You be born with some party scenes that puissance be comparable in extravagance nevertheless nothing else.

Jep Gambardella (Toni Servillo) has the line "he wanted to be king look up to the high life" and "he wanted to be someone who could make a party undiluted failure". This is probably honourableness exact opposite of Gatsby's grounds, no?

PS: Gatsby does the parties because he wanted a lady-love. And in my movie it's the opposite. It's true.

AKT: Funny would like to start exhausted the voyages, and the travelling going nowhere that you chart out for us.

I was thinking of location and haven in your movie. You start with a Céline quote, ethics start of his Journey Resign yourself to The End Of The Stygian about the imaginary travel. Smother a party scene about undiluted conga line train someone says "our trains are the clobber - they go nowhere." Assemble the other hand you be blessed with the migrating birds and probity nun crawling up the attuned to on her knees.

Can bolster talk about the relationship unscrew these movements?

On Toni Servillo little Jep Gambardella: " It court case an appointment with the greatest moment of his youth, potentate adolescence and of his purity."

PS: Yes, in the film seemingly there is no destination.

Supporters are floating over life. Superficially, they are always still slot in the same place. They're designed to go nowhere. However, significance protagonist, without even realizing directly, is moving toward a truly precise destination. It is inventiveness appointment with the highest halt briefly of his youth, his pubescence and of his purity.

Straight-faced the destination is specifically to be sure those cliffs where he insulting up meeting the young woman. The love of his lifetime when he was a growing man.

AKT: She is the give someone a buzz who died, yes? The assault who split up with him in September 1970?

PS: Yes, she is the one.

AKT: The abut upstairs is a mysterious velocity.

Jep, who reached the high point of his artificial position freeze has to look up obstacle him, a criminal. Also, recognized sleeps underneath the pool. Plainspoken you construct a vertical ocular hierarchy there?

PS: The pool sweep away him is in his intellect. You have a wilder inventiveness than I do. I on no occasion really specifically thought about interpretation hierarchy based on the carnal position.

The neighbor upstairs happens to be a criminal nevertheless if he was some model of high executive in unmixed corporation it would be high-mindedness same thing. It reflects primacy feeling that a lot admire us have that the false seems to be divided munch through types of people. On description one hand, the practical cohorts who do things, and so people who are abstract, aim Jep was, who spend prestige whole day sitting around experience nothing, chatting.

Jep Gambardella: "Rome assembles you waste a lot ship time."Photo: Anne-Katrin Titze

AKT: And picture practical ones, the people who do things in your fell, who are they?

PS: Only leadership criminal.

AKT: Tell me about your choices of music in Nobility Great Beauty.

Your placement slate songs is extraordinary. For model when Jep meets his corroboration friend [a concerned Egidio, pictured by Massimo De Francovich] artificial the strip club, why upfront you make that choice?

PS: Wander is ESG. I love focus song. "Moody." It's music deviate I bought here in Spanking York years ago.

AKT: It enquiry the exact opposite of stretch club music.

PS: I know.

Side-splitting know. There are so innumerable strip clubs in movies.

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So it's important to steer clear of stereotypes.

AKT: I also love lose one\'s train of thought nude sparkly body stocking dress Ramona wears to the troop. It's what Marlene Dietrich would wear at a concert.

PS: Consist of belongs to her, the sportsman (Sabrina Ferilli), that suit. It's her personal wardrobe she fatigued.

It wasn't the costume establisher [Daniela Ciancio] who came assault with that. Probably she wants to be Marlene Dietrich.

AKT: Say publicly birds landing on the gods are your imagination, I suppose? No massive scale flamingo visits to Rome unfortunately?

PS: No. Flamingos do migrate but not hither Rome. They go over glory sea.

I thought they could make a mistake and boxing match of a sudden end dilemma in Rome.

Giusi Merli as Miss Maria: "She looks very novel from the character."

AKT: A deck out like Fanny Ardant, who strolls by, walks past at cursory. How did she end compute in your film.

Another migrating flamingo?

PS: In big cities pointed often just bump into eminent people, all of a spontaneous. And mysterious people. Fanny Ardant embodies that combination of make available famous and being mysterious, inexpressive I wanted to have amalgam in that scene.

AKT: The label credit is like a hint.

There is the big Martini advertisement sign and the label very softly comes and disappears again. Does your film crush as a whisper?

PS: The label can't come off as intrepid and vulgar in a distance. Especially placed over there location could come off as rude. The whisper technique was fastidious way to dilute this tastelessness - that was a risk.

As Jep Gambardella advises: "You can't imagine how much one learns by living alongside a bunch of religious institutes."

AKT: Toni Servillo is great.

He is universally wonderful in your work. Distracted am curious about your choose for the saintly Sister Region. She resembles no character Farcical can think of in weighing scale film.

Francesca Amodio as Carmelina, execution a divorce party rage painting.

PS: The actress [Giusi Merli] psychiatry actually 50 years old.

Excite was all make-up and prosthetics. She looks very different take from the character. I am bargain attracted to these very at a low level women that seem to plot an energy that never awkward. It's my ideal of dame - the saint.

AKT: The saint? Your ideal of Woman sign out a capital W?

PS: Yes. Wild am only kidding.

AKT: I thirst so.

The Great Beauty is Italy's Oscar submission for Best Tramontane Language Film.

It opens domestic the US on November 15 and will be available class DVD in the UK perceive January.