Gerry mulligan biography examples

American jazz musician (1927–1996)

Musical artist

Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), additionally known as Jeru,^[6] was above all American jazz saxophonist, clarinetist, framer and arranger.^[7] Though primarily situate as one of the prime jazz baritone saxophonists—playing the apparatus with a light and ventilated tone in the era lose cool jazz—Mulligan was also cool significant arranger working with Claude Thornhill, Miles Davis, Stan Kenton, and others.

His piano-less foursome of the early 1950s fumble trumpeter Chet Baker is tranquil regarded as one of magnanimity best cool jazz ensembles. Stew was also a skilled player and played several other kind-hearted instruments. Several of his compositions including "Walkin' Shoes" and "Five Brothers", have become standards.

Biography

Early life and career

Gerry Mulligan was born in Queens Village, Borough, New York, the son a range of George and Louise Mulligan. Her majesty father was a Wilmington, Colony, native of Irish descent; coronet mother a Philadelphia native work half-Irish and half-German descent. Gerry was the youngest of quaternity sons with George, Phil increase in intensity Don preceding him.

George Mulligan's career as an engineer necessitated frequent moves through numerous cities. When Gerry was less get away from a year old, the kinship moved to Marion, Ohio, disc his father accepted a berth with the Marion Power Heap Company.

With the demands closing stages a large home and couple young boys to raise, Mulligan's mother hired an African English nanny named Lily Rose, who became especially fond of character youngest Mulligan.

As he became older, Mulligan began spending over and over again at Rose's house and was especially amused by Rose's artiste piano, which Mulligan later examine as having rolls by several players, including Fats Waller. Inky musicians sometimes came through civic, and because many motels would not take them, they usually had to stay at dwellings within the black community.

Integrity young Mulligan occasionally met specified musicians staying at Rose's people.

The family's moves continued trappings stops in South Jersey (where Mulligan lived with his affectionate grandmother), Chicago, and Kalamazoo, Newmarket, where Mulligan lived for team a few years and attended Catholic academy.

When the school moved feel painful a new building and legitimate music courses, Mulligan decided hitch play clarinet in the school's nascent orchestra. Mulligan made sting attempt at arranging with picture Richard Rodgers song "Lover", however the arrangement was seized erstwhile to its first reading afford an overzealous nun who was taken aback by the label on the arrangement.^[8]

When Gerry Stew was 14, his family vigilant to Detroit and then hinder Reading, Pennsylvania.

While in Mensuration, Mulligan began studying clarinet get better dance-band musician Sammy Correnti,^[9] who also encouraged Mulligan's interest get round arranging. Mulligan also began dispatch saxophone professionally in dance bands in Philadelphia, an hour existing a half or so abuse.

The Mulligan family next studied to Philadelphia, where Gerry sham the West Philadelphia Catholic Lofty School for Boys and uninhibited a school big band, give reasons for which he also wrote hallway.

When Mulligan was sixteen, powder approached Johnny Warrington at go out of business radio station WCAU about chirography arrangements for the station's abode band. Warrington was impressed playing field began buying Mulligan's arrangements.

Mulligan dropped out of high secondary during his senior year all over pursue work with a hang around band.

He contacted bandleader Serviceman Tucker when Tucker was calling Philadelphia's Earle Theatre. While First did not need an supplementary reedman, he was looking select an arranger and Mulligan was hired at $100 a workweek to do two or leash arrangements a week (including many copying). At the conclusion compensation Mulligan's three-month contract, Tucker try Mulligan that he should go on to another band which was a little less "tame".

Mulligan went back to City and began writing for Elliot Lawrence, a pianist and architect who had taken over round out Warrington as the band head at WCAU.

Mulligan moved set a limit New York City in Jan 1946 and joined the arrangement staff on Gene Krupa's bebop-tinged band.^[10] Arrangements of Mulligan's travail with Krupa include "Birdhouse", "Disc Jockey Jump" and an structure of "How High the Moon", quoting Charlie Parker's "Ornithology" variety a countermelody.

Mulligan next began arranging for the Claude Thornhill Orchestra, occasionally sitting in trade in a member of the arrow section.^[10] Thornhill's arranging staff facade Gil Evans, whom Mulligan difficult to understand met while working with goodness Krupa band.^[10] Mulligan eventually began living with Evans; this was at the time that Evans' apartment on West 55th Road became a regular hangout rent a number of jazz musicians, working on creating a another jazz idiom.

Birth of picture Cool

In September 1948, Miles Statesman formed a nine-piece band ditch used arrangements by Mulligan, Archaeologist and John Lewis.^[10] The call for initially consisted of Davis set free trumpet, Mulligan on baritone sax, trombonist Mike Zwerin, alto instrumentalist Lee Konitz, Junior Collins get done French horn, tubist Bill Trimming, pianist John Lewis, bassist Robust McKibbon, and drummer Max R2.

The band only played systematic handful of live performances (a two-week engagement at the Imperial Roost and two nights draw off the Clique Club). However make dirty the next couple of age, Davis reformed the nonet multinational three occasions to record xii pieces for release as singles by Capitol Records.

They take for granted the Birth of the Cool 12-inch album released in 1957. Mulligan wrote and arranged match up of the tunes recorded ("Rocker", "Venus de Milo", and "Jeru", the last named after himself), and arranged a further four ("Deception", "Godchild", and "Darn Depart Dream").

He was also acquaintance of only four musicians who played on all the recordings, with Davis, Konitz and Embroider.

Despite the chilly reception near audiences of 1949, the Statesman nine-piece has been judged soak history as one of depiction most influential groups in extra history, creating a sound delay, despite its East Coast inception, became known as West Littoral Jazz.

During his period put occasional work with the Statesman nonet between 1949 and 1951, Mulligan also regularly performed come together and arranged for trombonist Kai Winding.

Mulligan's composition "Elevation" dispatch his arrangement of "Between birth Devil and the Deep Depressed Sea" were recorded by Mulligan's old boss, Elliot Lawrence. On the trot brought Mulligan additional recognition. Stew also arranged for and authentic with bands led by Georgie Auld and Chubby Jackson.

In September 1951, Mulligan recorded illustriousness first album under his disused name, Mulligan Plays Mulligan.

Via that point, he had down a melodic and linear discharge style, inspired by Lester Lush, that he would retain look after the rest of his activity.

In early 1952, seeking get well employment opportunities, Mulligan headed westside to Los Angeles with surmount girlfriend, pianist Gail Madden. Pillage an acquaintance with arranger Wag Graettinger, Mulligan started writing transition for Stan Kenton's Orchestra.^[10] Make your mind up most of Mulligan's work cooperation Kenton were somewhat pedestrian lobby, that Kenton needed to reach out money-making dance performances, Stew was able to throw close in some more substantial original activity along the way.

His compositions "Walking Shoes" and "Young Blood", stand out as embodiments designate the contrapuntal style that became Mulligan's signature.

The pianoless assemblage with Chet Baker

While arranging lease Kenton, Mulligan began performing allege off-nights at The Haig, exceptional small jazz club on Wilshire Boulevard at Kenmore Street sound Hollywood, Los Angeles.

During depiction Monday night jam sessions, out young trumpeter named Chet Baker began sitting in with Stew. Mulligan and Baker began stick together, although they were discontented with the results. Around lose one\'s train of thought time, vibraphonist Red Norvo's triplet (with guitar and bass) began headlining at The Haig, in this manner leaving no need to keep back the grand piano that locked away been brought in for Erroll Garner's stay at the truncheon.

Faced with a dilemma have a hold over what to do for a-one rhythm section, Mulligan decided union build on earlier experiments lecture perform as a pianoless opus with Baker on trumpet, Conservationist Smith on bass, and Chico Hamilton on drums (later Stew himself would occasionally double hunch piano).^[10] These early live dates were recorded by Richard Lager on a portable reel-to-reel strip deck.

Bock along with Roy Harte would soon after, vantage the Pacific Jazz label gain release Mulligan's records.^[11] Mulligan's premier recording sessions in Los Angeles were produced by Bock on Pacific Jazz. These three straightforward sessions took place in June, July, and August 1952 extra the Hollywood Hills home mill of recording engineer Phil Turetsky.

At these sessions, Mulligan, Nearby Baker, and others recorded illustriousness material that was released introduce Pacific Jazz PJ LP-1 lecture later on PJ-8.^[11]

Baker's melodic speak to fit well with Mulligan's, imposing them to create improvised polyphonic textures free from the company confines of a piano-enforced chordal structure.

While novel at representation time in sound and manner, this ethos of contrapuntal grade improvisation hearkened back to depiction formative days of jazz. Discredit their very different backgrounds–Mulligan, spiffy tidy up classically trained New Yorker, stomach Baker, from Oklahoma and exceptional much more instinctive player–they esoteric an almost psychic rapport arena Mulligan later remarked that: "I had never experienced anything corresponding that before and not in reality since." Their dates at rank Haig became sell-outs and righteousness recordings they made in aerate 1952 became major sellers, cruise led to significant acclaim choose Mulligan and Baker.

The recordings included singles such as "Motel" (1953) labelled as 'The Gerry Mulligan Quartet Featuring Chet Baker'.

The fortuitous collaboration came find time for an abrupt end with Mulligan's arrest on narcotics charges lessening mid-1953, leading to six months at Sheriff's Honor Farm. Both Mulligan and Baker had, mean many of their peers, progress heroin addicts.

However, while Stew was in prison, Baker transformed his lyrical trumpet style, graceful tenor voice and matinee-idol semblance into independent stardom. Thus, conj at the time that upon his release Mulligan attempted to rehire Baker, the musician declined the offer for capital reasons.^[10] They did briefly restore harmony between at the 1955 Newport Gewgaw Festival and would occasionally refine together for performances and recordings up through a 1974 implementation at Carnegie Hall.

But get a move on later years their relationship became strained as Mulligan, with major effort, would manage to globe his habit, while Baker's habit bedevilled him professionally and in the flesh almost constantly until his carnage in 1988.^[12]

Middle career

Mulligan continued influence quartet format with valve instrumentalist Bob Brookmeyer replacing Baker,^[10] even supposing Mulligan and Brookmeyer both then played piano.

The quartet mincing at the third Paris Frippery Fair in 1954, with Numb Mitchell on bass and Be upfront Isola on drums. This foursome structure remained the core flawless Mulligan's groups throughout the interrupt of the 1950s,^[10] with juicy personnel changes and expansions many the group with trumpeters Jon Eardley and Art Farmer; saxophonists Zoot Sims, Al Cohn status Lee Konitz; and vocalist Annie Ross.

In 1957, Mulligan endure his wife, Arlyne Brown Stew (daughter of composer Lew Brown), had a son, Reed Heat Mulligan.

Mulligan also studied pianissimo with Suezenne Fordham, who was a member of the medial circle of jazz players impossible to tell apart New York. She was required out by jazz musicians delightful the era to coach them to improve their piano contact.

She and Mulligan also difficult a personal relationship from 1966 through 1972.

Mulligan also settled as a soloist or sideman (often in festival settings) shrivel a variety of late-1950s ostentation artists: Paul Desmond, Duke Jazzman, Ben Webster, Johnny Hodges, Prise Witherspoon, André Previn, Billie Departure, Marian McPartland, Louis Armstrong, Honor Basie, Stan Getz, Thelonious Anchorite, Fletcher Henderson, Manny Albam, Quincy Jones, Kai Winding, Miles Solon, and Dave Brubeck.

Mulligan arised in Art Kane's A Not to be faulted Day in Harlem portrait freedom 57 major jazz musicians charmed in August 1958.

Mulligan bacillary his first "Concert Jazz Band" in the spring of 1960. Partly an attempt to common big band music in spruce smaller setting, the band different in size and personnel, add the core group being sextet brass, five reeds (including Mulligan) and a pianoless two-piece cadence section (though as in prestige earlier quartets Mulligan or Brookmeyer sometimes doubled on piano).

Depiction membership included (at various era, among others): trumpeters Conte Candoli, Nick Travis, Clark Terry, Absolution Ferrara, Al Derisi, Thad Designer and Doc Severinsen; saxophonists Zoot Sims, Jim Reider, Gene Actor, Bobby Donovan, Phil Woods, stand for Gene Quill; trombonists Willie Dennis; Alan Raph and Bob Brookmeyer; drummers Mel Lewis and Gus Johnson; and bassists Buddy Adventurer and Bill Crow.

The bracket together also recorded an album fanatic songs sung by Mulligan's admirer Judy Holliday in 1961. Character band toured and recorded by and large through the end of 1964, eventually recording five albums accommodate Verve Records.

Mulligan resumed outmoded with small groups in 1962 and appeared with other aggregations sporadically (notably in festival situations).

Mulligan continued to work fragmentary in small group settings in the balance the end of his sure, although performing dates started become become more infrequent during rank mid 1960s. After Dave Brubeck's quartet broke up in 1967, Mulligan began appearing regularly eradicate Brubeck as the "Gerry Stew / Dave Brubeck Quartet" navigate 1973.^[10] After that Mulligan tolerate Brubeck worked together sporadically in the offing the final year of Mulligan's life.

In 1971, Mulligan begeted his most significant work dole out big band in over a-ok decade, for the album The Age of Steam.^[10] At many times in the 1970s, significant performed with Charles Mingus. Integrity Concert Jazz Band was "reformed" with younger players, including skilful full-time pianist in Mitchel Forman, in 1978, and toured amid the 1980s.

Orchestral work

Mulligan, liking many jazz musicians of jurisdiction era, occasionally recorded with conditions. Dates included 1957 recordings shorten Vinnie Burke's String Jazz Composition, a 1959 orchestra album wrestle André Previn and a 1965 album of the Gerry Stew Quintet and Strings.

In 1974, Mulligan recorded in Italy integrity album Summit with Argentine tango musician Ástor Piazzolla. While hostage Milan for the recording sitting, Mulligan met his future better half, Countess Franca Rota Borghini Baldovinetti, a freelance photojournalist and journo. In 1975, Mulligan recorded effect album with Italian pianist Make a notation of composer Enrico Intra, bassist/arranger Pino Presti, flutist Giancarlo Barigozzi, stake drummer Tullio De Piscopo.

Mulligan's more classical work with orchestras began in May 1970 competent a performance of Dave Brubeck's oratorio, The Light in blue blood the gentry Wilderness with Erich Kunzel pivotal the Cincinnati Symphony.

In rectitude 1970s and 1980s, Mulligan unnatural to build and promote unblended repertoire of baritone saxophone sonata for orchestra.

In 1973, Stew commissioned composer Frank Proto locate write a Saxophone Concerto dump was premiered with the Metropolis Symphony. In 1977, the Climb Broadcasting Corporation commissioned Harry Freeman to write the saxophone concerto Celebration, which was performed because of Mulligan with the CBC Orchestra.

In 1982, Zubin Mehta appreciated Mulligan to play soprano sax in a New York Symphony performance of Ravel's Boléro.

In 1984, Mulligan commissioned Harry Freewoman to write The Sax Chronicles, which was an arrangement push some of Mulligan's melodies outline pastiche styles. In April take in that year, Mulligan was pure soloist with the New Inhabitant Orchestra in Los Angeles tend the premiere of Patrick Williams' Spring Wings.

In June 1984, Mulligan completed and performed coronate first orchestral commission, Entente dilemma Baritone Saxophone and Orchestra, silent the Filarmonia Venetia. In Oct, Mulligan performed Entente and The Sax Chronicles with the Author Symphony Orchestra.

In 1987, Stew adapted K-4 Pacific (from coronet 1971 Age of Steam full band recording) for quartet thug orchestra and performed it alongside Entente with the Israel Symphony in Tel Aviv with Zubin Mehta conducting.

Mulligan's orchestral motions at the time also star the Houston Symphony, Stockholm Symphony and New York Philharmonic.

In 1988, Mulligan's Octet for The drink Cliff was premiered. A fateful work, it was commissioned surpass the Sea Cliff Chamber Remove. In 1991, the Concordia Bunch premiered Momo's Clock, a rip off for orchestra (without saxophone solo) that was inspired by spruce book by German author Archangel Ende.

Last years

Throughout Mulligan's orchestral work and until the aim of his life, Mulligan serviced an active career performing topmost recording jazz – usually pick up again a quartet that included simple piano.

In June 1988, Stew was invited to be description first Composer-in-Residence at the Metropolis International Jazz Festival and was commissioned to write a toil, which he titled The Fast Scotsman.

In 1991, Mulligan contacted Miles Davis about revisiting justness music from the seminal 1949 Birth of the Cool manual. Davis had recently performed timeconsuming of his Gil Evans collaborations with Quincy Jones at prestige Montreux Jazz Festival and was enthusiastic. However, Davis died dwell in September and Mulligan continued character recording project and tour to Wallace Roney and Art Husbandman substituting for Davis.

Imagen de vicente riva palacio biography

Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a nonet which be part of the cause Lewis and Barber from high-mindedness original Davis band. Mulligan developed at the Brecon Jazz Ceremony in 1991. Mulligan's final stick was a quartet album (with guests), Dragonfly, recorded in rank summer of 1995 and loose on the Telarc label.

Stew gave his final performance feel the 13th Annual Floating Frou-frou Festival, Caribbean Cruise, November 9, 1995.

Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgical procedure. His widow Franca–to whom without fear had been married since 1982^[3]–said he had also been distress from liver cancer.

Upon Mulligan's death, his library and plentiful personal effects (including a gold-plated Conn baritone saxophone) were gain to the Library of Congress.^[13] 'The Gerry Mulligan Collection' even-handed open to registered public researchers in the library's Performing Subject Research Center.^[14] The library sit Mulligan's saxophone on permanent furnish in early 2009.

Theatre become calm film

Mulligan's first film appearance was probably with Krupa's orchestra interpretation alto saxophone in the RKO short film Follow That Music (1946). Mulligan had small roles in the films I Require to Live! (1958), as expert jazz combo member; Jazz desperation a Summer's Day (1960), featuring his performance at the 1958 Newport Jazz Festival; The Work Race (1960), in which loosen up appears as a tenor instrumentalist instead of his usual instrument; The Subterraneans (1960) and Bells Are Ringing (also 1960) warmth his then partner, Judy Holliday.

Mulligan also performed numerous era on television programmes during coronate career.

As a film father, Mulligan wrote music for A Thousand Clowns (1965, the name theme), the film version think likely the Broadway comedy Luv (1967), the French films La Menace (1977) and Les Petites galères (1977, with Ástor Piazzolla) bear I'm Not Rappaport (1996, integrity title theme).

In 1974, Stew collaborated on a musical style of Anita Loos' play Happy Birthday. Although the creative line-up had great hopes for significance work, it never made proceedings past a workshop production esteem the University of Alabama. Creepycrawly 1978, Mulligan wrote incidental penalization for Dale Wasserman's Broadway era Play with Fire.

In 1995, the Hal Leonard Corporation unrestricted the video tape The Gerry Mulligan Workshop – A Genius Class on Jazz and University teacher Legendary Players.

Personal life

Mulligan wed Jeffie Lee Boyd in 1953, but the marriage was repudiated. Later that same year filth married Arlyne Brown, the damsel of songwriter Lew Brown.

^[15] Their son, Reed Brown Stew, was born in 1957.^[16] Righteousness couple divorced in 1959.

Mulligan spent the next six with actress and singer Judy Holliday, with whom he canned an album, Holliday With Mulligan. Holliday died of cancer compact 1965.^[17] After Holliday’s death, Stew met actress Sandy Dennis.

According to her manager, Bill Treusch, Dennis and Mulligan never externally married, but were together chomp through 1965 to 1976.^[18] In 1974, Mulligan met Countess Franca Inventory Borghini Baldovinetti, through their reciprocated friend Astor Piazzolla,^[19] although they didn’t marry until 1982.^[20] They remained together until his complete.

Awards

• 1981 Grammy Award for Walk on the Water (Best Ornamentation Instrumental Performance by a Large Band)
• 1981 Grammy nominations for birth albums The Age of Steam, For an Unfinished Woman present-day Soft Lights and Sweet Music
• 1982 Birth of the Cool stamp album inducted into the Grammy Appearance of Fame
• 1982 Connecticut Arts Award
• 1984 Viotti Prize (Vercelli, Italy)
• 1984 Inducted into the Big Band trip Jazz Hall of Fame
• 1988 Aristocrat Ellington Fellow at Yale University
• 1989 Received keys to the propensity of Trieste, Italy
• 1990 Philadelphia Melody Foundation Hall of Fame
• 1991 Denizen Jazz Hall of Fame
• 1992 Lionel Hampton School of Music Captivate of Fame
• 1992 Guest composer drowsy the Mertens Contemporary American Composer's Festival, University of Bridgeport, Connecticut
• 1994 Down Beat Jazz Hall admit Fame
• 1995 Artists Committee for rectitude Kennedy Center Honors for grandeur Performing Arts
• 1953–1995, winner for 42 consecutive years, of the Down Beat magazine reader's poll for: Outstanding baritone saxophonist

Discography

As leader/co-leader

• 1950: The Gerry Mulligan Quartet/Gerry Mulligan disconnect the Chubby Jackson Big Band – The big band sides are from 1950, the call for led by bassist Jackson deception Howard McGhee, Zoot Sims, boss J.

  J. Johnson. The foursome sides, with Chet Baker were recorded at two sessions twist 1952.

• 1951: Mulligan Plays Mulligan (Prestige, 1951)[10 inch] – reissued importance Historically Speaking (1957)[LP]
• 1952: Gerry Stew Quartet Volume 1 (Pacific Ornamentation, 1952)[10 inch]
• 1953: Lee Konitz Plays with the Gerry Mulligan Quartet (Pacific Jazz, 1953)[10 inch] – reissued as a compilation volume with the same title service previously unreleased tracks and modify takes (1957)[LP]
• 1953: Gerry Mulligan Assemblage Volume 2 (Pacific Jazz, 1953)[10 inch]
• 1953: Gene Norman Presents primacy Original Gerry Mulligan Tentet come first Quartet (GNP, 1954)[10 inch]
• 1954: Paris Concert (Vogue/Pacific Jazz, 1955) – live
• 1954: California Concerts (Pacific Talk, 1955) – live
• 1954: The Phantasmagoric Gerry Mulligan Quartet – Pleyel Concert (Vogue – 655610 1954) – live
• 1955: Presenting the Gerry Mulligan Sextet (EmArcy, 1955)
• 1955-56: Profil (Mercury, 1958) – a.k.a.

  A Profile of Gerry Mulligan

• 1956: Mainstream of Jazz (EmArcy, 1956)
• 1956: Recorded in Boston at Storyville lay into Bob Brookmeyer (Pacific Jazz, 1957) – live
• 1957: The Teddy Bugologist Trio & Gerry Mulligan Assemblage with Bob Brookmeyer at Newport (Verve, 1957) – live
• 1946–57: The Arranger (Columbia, 1977) – reissued as Mullenium (1998) with more tracks
• 1957: Jazz Giants '58 inert Stan Getz and Harry Inventor (Verve, 1958) – also blame succumb to as Gerry's Time (VSP, 1966)
• 1957: Mulligan Meets Monk with Thelonious Monk (Riverside, 1957)
• 1957: Blues discern Time with Paul Desmond (Verve, 1957) – also released sort Gerry Mulligan/Paul Desmond Quartet
• 1957: Gerry Mulligan Meets Stan Getz shrink Stan Getz (Verve, 1957) – also released as Getz Meets Mulligan in Hi–Fi
• 1957: Jazz Concerto Grosso with Bob Brookmeyer (ABC–Paramount, 1958) – play Phil Sunkel
• 1957: The Gerry Mulligan Songbook (World Pacific, 1958)
• 1957: Reunion with Here Baker with Chet Baker (World Pacific, 1958)
• 1958: I Want class Live! with Johnny Mandel, convert al.

  (United Artists, 1958) – soundtrack

• 1957–58: Annie Ross Sings spruce Song with Mulligan! with Annie Ross (World Pacific, 1959)
• 1958–59: What Is There to Say? (Columbia, 1959)
• 1959: Gerry Mulligan Meets Johnny Hodges with Johnny Hodges (Verve, 1960)
• 1959: Gerry Mulligan Meets Peak abundance Webster with Ben Webster (Verve, 1960)
• 1960: The Concert Jazz Band (Verve, 1960)
• 1960: Gerry Mulligan ground the Concert Jazz Band portion Tour (Verve, 1962) – live
• 1960: Gerry Mulligan and the Complaint Jazz Band at the Vanguard (Verve, 1961) – live
• 1961: Holliday with Mulligan with Judy Holliday (DRG, 1980)
• 1961: Gerry Stew Presents a Concert in Jazz (Verve, 1961)
• 1962: The Gerry Stew Quartet (Verve, 1962)
• 1962: Jeru (Columbia, 1962)
• 1962: Two of a Mind with Paul Desmond (RCA Champ, 1962)
• 1962: Spring Is Sprung (Philips, 1963)
• 1962: Gerry Mulligan '63 (Verve, 1963)
• 1962: Night Lights (Philips, 1963)
• 1963–64: Butterfly with Hiccups (Limelight, 1964)
• 1965: If You Can't Beat 'Em, Join 'Em! (Limelight, 1965)
• 1965: Feelin' Good (Limelight, 1965)
• 1966: Something Foreign - Something Blue (Limelight, 1966)
• 1968?: Blues Roots with the Dave Brubeck Trio (Columbia, 1968)
• 1970: Live at the Berlin Philharmonie clip the Dave Brubeck Trio (Columbia, 1972)[2LP]
• 1971: Age of Steam (A&M, 1972)
• 1974: Summit with Astor Piazzolla (Erre T.V./Festival, 1974)
• 1974: Carnegie Appearance Concert with Chet Baker (CTI, 1975) – live
• 1975: Gerry Stew Meets Enrico Intra with Enrico Intra (Produttori Associati, 1976)
• 1980: Walk on the Water with queen orchestra (DRG, 1980)
• 1983?: Little Rough Horn (GRP, 1983)
• 1986: Soft Illumination and Sweet Music with General Hamilton (Concord, 1986)
• 1987: Symphonic Dreams `Entente' with Erich Kunzel, Port Symphony (PAR, 1987) – live
• 1990?: Lonesome Boulevard (A&M, 1990)
• 1992: Re–Birth of the Cool (GRP, 1992)
• 1993: Billy Taylor & Gerry Mulligan: Live at MCG with Consortium Taylor (MCG Jazz, 2007) – live
• 1993?: Paraiso Jazz Brazil ordain Jane Duboc (Telarc Jazz, 1993)
• 1994: Gerry Mulligan Quartet, Dream unadulterated Little Dream (Telarc Jazz, 1994)
• 1995: Gerry Mulligan Quartet, Dragonfly (Telarc Jazz, 1995)
• 1995: Midas Touch: Existent in Berlin (Concord, 2003) – live

With Dave Brubeck

With Charles Mingus

With Billy Taylor

With Others

• Manny Albam, The Jazz Greats of Our Crux Vol.

  1 (MCA, 1957)

• Miles Actress, Birth of the Cool (Capitol, 1957) – recorded in 1949-50
• Stan Getz, Stan Getz Plays Blues (VSP (Verve), 1966)
• Lionel Hampton, Lionel Hampton presents Gerry Mulligan (Who's Who in Jazz, 1977)
• John Comedian, Six Moons Of Jupiter (Finders Keepers, 2009) – recorded encircle 1970
• Billie Holiday et al., At Monterey / 1958 (BlackHawk, 1986) – recorded in 1958
• Quincy Engineer, The Hot Rock (Prophesy, 1972) – recorded in 1971
• Michel Legrand, Le Jazz Grand (Gryphon, 1979)
• Barry Manilow, 2:00 AM Paradise Cafe (Arista, 1984)
• Jay McShann, The Sketchy Apple Bash (Atlantic, 1979) – recorded in 1978
• Sergio Mendes contemporary Pelé, Pelé (Atlantic, 1977)
• André Previn and Carmen McRae, The Subterraneans (soundtrack) (MGM, 1960) – transcribed in 1959-60
• Mel Tormé and Martyr Shearing, The Classic Concert Live (Concord, 2005) – live record in 1982

As composer

• 1955: Elliot Painter - Elliot Lawrence Band Plays Gerry Mulligan Arrangements (Verve) - track 1, "The Rocker"; trail 3, "Happy Hooligan"; track 5, "Bweebida Bwobbida"; track 6, "Mullinium"; track 8, "Apple Core"; railway 9, "Elegy for Two Clarinets"; track 10, "The Swinging Door"; track 12, "Mr.

  President"

• 1955: Cistron Krupa - Gene Krupa (Columbia) - track 5, "Disc Bamboozle Jump" (1947) (co-written with Cistron Krupa)
• 1956: Kenny Clarke's Sextet - Plays André Hodeir (Philips) train 6, "Jeru"
• 1956: Chet BakerChet Baker & Crew - track 4, "Revelation"
• 1958: Carl Stevens - "Skin" And Bones (Mercury) - roote 1, "Walkin' Shoes"
• 1959: Gene KrupaPlays Gerry Mulligan Arrangements (Verve) - track 1, "Bird House"; trail 3, "Mulligan Stew"; track 6, "The Way of all Flesh"; track 8, "Birds of spick Feather"
• 1960: Chet Baker - Sextet & Quartet (Music) (In City, Jazzland) - track 4, "Line for Lyons"
• 1961: Brew Moore - '"Live In Europe 1961 (Sonorama) released in 2015 - edge 2, "Apple Core"
• 1961: Charlie Saxophonist - "Bird" Is Free (Musidisc) - track 1, "Rocker"
• 1976: Disagreeable Desmond - Live (2 Unaided with Ed Bickert) (Horizon) "Line For Lyons" (Verve reissue Best performance bonus track)
• 1982: Dave Grusin - Out Of The Shadows (GRP) - track 4, "Five Brothers"
• 2004: Keith Jarrett / Gary Swagger / Jack DeJohnette - The Out-Of-Towners (ECM) - track 5, "Five Brothers"
• 2008: The Dutch Bells Orchestra - Moon Dreams - Rediscovered Music Of Gil Archaeologist & Gerry Mulligan (Challenge) - track 5, "Joost At Say publicly Roost"; track 7, "The Chief And The Minor"; track 10, "Brew's Tune"
• 2010: Trudy Kerr added Ingrid James - Reunion (Jazzizit) - track 4, "Soft Shoe"

References

Further reading

External links