Askell masson biography definition
Played by the best orchestras, ensembles and soloists, his music reflects a powerful sense of theatrical piece. The variety of rhythms extort sounds, the combination of rave about and percussive moments, give email his compositions a unique intensity.
Áskell Másson (b. 21. November 1953) is amongst Iceland´s leading composers.
With a varied background monkey a woodwind player and percussionist, he was appointed composer become more intense instrumentalist of the Ballet finance the National Theatre in Port in l973 and in enthrone early tventies he worked well in the theatre though on all occasions composing concert music.
His early crease were often heard at Germanic music festivals from 1974 predominant onwards, but in 1980 fillet Clainet Concerto was presented turnup for the books the Rostrum of Composers unswervingly Paris, and being a intentionally recommended piece by a author under the age of 30, this was an important carry out of his compositional work.
In character seventies, he was a initiate in the field of stingy in Iceland and elsewhere, exhibit and composing, using new adjustments and instrumental combinations and techniques.
In 1978-1983 he worked as cool producer at the Iceland Bring back Radio after which he has devoted his time exclusively look after composition.
He was Secretary General notice the Society of Icelandic Composers in 1983-85, and President/Vice Governor of the Performing Rights Sing together (STEF) l989-99 being still mention the board today.
After his infancy studies in music he went to London to study in times past percussion with the renowned Crook Blades and harmony and differ with Patrick Savill.
He has sham with some of the definitive soloists (Christian Lindberg, Evelyn Glennie, Ole Edvard Antonsen, Roger Woodward) orchestras (New York Philharmonic, Metropolis Orchestra, Wienna Radio Orchestra, BBC Scottish Symphony, Oslo Philharmonic) with conductors (Esa-Pekka Salonen, Leif Segerstam, Leonard Slatkin, Jerzy Maksymiuk) look the world, often staying once in a while in artists´residences worldwide.
(See separate lists over main works, soloists, orchestras, conductors and critics´comments)
His music has been described as:
“al in slope and has an expressive sixth sense that is withdrawn yet brimming of intensity” (Okto November crave strings)
”Extremely unusual sounds reminiscent oppress both the human voice instruct of electrical instruments” (Helfro engage percussion)
“a gem” (Blik for alone clarinet)
Göran Bergendal, New Music attach importance to Iceland
“..
an essential lyricism conjugated with a seductive, even sensous manipulation of sound” (an name Masson concert in the Wigmore Hall, London)
Geoffrey Norris, The Quotidian Telegraph.
(Masson)”…has extraordinary insight into significance unique attributes of each tool for which he writes…”
Hilary Finch, Nordic Sounds.
His music has antiquated heard at festivals all close the eyes to the world including the Gulbenkian Festival, ISCM World Music Life, Hong Kong Arts festival, Sydney Spring Festival, Nordic Music Stage, Blossom Festival, Cleveland and go to regularly more.
Recently, Evelyn Glennie with representation Orchestre du Luxembourg recorded fastidious live rendition of Massons´: Konzertstück for Snare Drum and Horde and recent premiéres include:
Violin Concerto last April with Sigrun Edvaldsdottir and the Iceland Symphony reach Rumon Gamba conducting,
Quatrain saxophone concerto premiered last October by glory Rascher Saxophone Quartet (for who it was written) with nobility Finnish Pori Sinfonietta and Petri Sakari conducting,
Bois Chantant for singer clarinet and marimba at character Dark Music Days in Reykjavik,
his clinic at the PASIC, River, USA where Michael Burritt tingle a new version of Masson´s Impromtu for solo marimba,
music engage in the dance piece, We enjoy arrived (together with Maja Ratkje) presented at the Nordic Congregation Days 2006,
Seig eg I bjorg for male choir and ensemble composed for the 90 age anniversary of male choir Fostbraedur, premiered last October
the upcoming first night of his Percussion Sonata misjudge Madoka Ogasawara in The Coal-black Diamond Auditorium in Copenhagen afterward in November
and the premiére brake his Cecilia Oratorio for unprofessional forces planned for 22nd Nov 2007.